A bit of American history


Native Americans culture

Though cultural features, includingAmerican ancestry enrolled in a
language, garb, and customs varyfederally recognized tribe are legally
enormously from one tribe to another,authorized to obtain eagle feathers for
there are certain elements which arereligious or spiritual use. Native
encountered frequently and shared byAmericans and non-Native Americans
many tribes.frequently contest the value and
Early hunter-gatherer tribes forgedvalidity of the eagle feather law,
stone weapons from around 10,000 yearscharging that the law is laden with
ago; as the age of metallurgy dawned,discriminatory racial preferences and
newer technologies were used and moreinfringes on tribal sovereignty. The law
efficient weapons produced. Prior todoes not allow Native Americans to give
contact with Europeans, most tribes usedeagle feathers to non-Native Americans,
similar weaponry. The most commona common modern and traditional
implement were the bow and arrow, thepractice. Many non-Native Americans have
war club, and the spear. Quality,been adopted into Native American
material, and design varied widely.families, made tribal members and given
Large mammals such as the mammoth wereeagle feathers.
largely extinct by around 8,000 B.C.,Many Native Americans would describe
and the Native Americans were huntingtheir religious practices as a form of
their descendants, such as bison. Thespirituality, rather than religion,
Great Plains tribes were still huntingalthough in practice the terms may
the bison when they first encounteredsometimes be used interchangeably.
the Europeans. The acquisition of theNative American music is almost entirely
horse and horsemanship from the Spanishmonophonic, but there are notable
in the 17th century greatly altered theexceptions. Traditional Native American
natives' culture, changing the way inmusic often includes drumming and/or the
which these large creatures were huntedplaying of rattles or other percussion
and making them a central feature ofinstruments but little other
their lives.instrumentation. Flutes and whistles
Society and artmade of wood, cane, or bone are also
The Iroquois, living around the Greatplayed, generally by individuals, but in
Lakes and extending east and north, usedformer times also by large ensembles (as
strings or belts called wampum thatnoted by Spanish conquistador de Soto).
served a dual function: the knots andThe tuning of these flutes is not
beaded designs mnemonically chronicledprecise and depends on the length of the
tribal stories and legends, and furtherwood used and the hand span of the
served as a medium of exchange and aintended player, but the finger holes
unit of measure. The keepers of theare most often around a whole step apart
articles were seen as tribaland, at least in Northern California, a
dignitaries.[26]flute was not used if it turned out to
Pueblo peoples crafted impressive itemshave an interval close to a half step.
associated with their religiousPerformers with Native American
ceremonies. Kachina dancers woreparentage have occasionally appeared in
elaborately painted and decorated masksAmerican popular music, such as Rita
as they ritually impersonated variousCoolidge, Wayne Newton, Gene Clark, Tori
ancestral spirits. Sculpture was notAmos and Redbone (band). Some, such as
highly developed, but carved stone andJohn Trudell have used music to comment
wood fetishes were made for religiouson life in Native America, and others,
use. Superior weaving, embroideredsuch as R. Carlos Nakai integrate
decorations, and rich dyes characterizedtraditional sounds with modern sounds in
the textile arts. Both turquoise andinstrumental recordings. A variety of
shell jewelry were created, as weresmall and medium-sized recording
high-quality pottery and formalizedcompanies offer an abundance of recent
pictorial arts.music by Native American performers
Navajo spirituality focused on theyoung and old, ranging from pow-wow drum
maintenance of a harmonious relationshipmusic to hard-driving rock-and-roll and
with the spirit world, often achieved byrap.
ceremonial acts, usually incorporatingThe most widely practiced public musical
sandpainting. The colors—made fromform among Native Americans in the
sand, charcoal, cornmeal, andUnited States is that of the pow-wow. At
pollen—depicted specific spirits.pow-wows, such as the annual Gathering
These vivid, intricate, and colorfulof Nations in Albuquerque, New Mexico,
sand creations were erased at the end ofmembers of drum groups sit in a circle
the ceremony.around a large drum. Drum groups play in
Religionunison while they sing in a native
The most widespread religion at thelanguage and dancers in colorful regalia
present time is known as the Nativedance clockwise around the drum groups
American Church. It is a syncretisticin the center. Familiar pow-wow songs
church incorporating elements of nativeinclude honor songs, intertribal songs,
spiritual practice from a number ofcrow-hops, sneak-up songs, grass-dances,
different tribes as well as symbolictwo-steps, welcome songs, going-home
elements from Christianity. Its mainsongs, and war songs. Most indigenous
rite is the peyote ceremony. In thecommunities in the United States also
American Southwest, especially Newmaintain traditional songs and
Mexico, a syncretism between theceremonies, some of which are shared and
Catholicism brought by Spanishpracticed exclusively within the
missionaries and the native religion iscommunity.
common; the religious drums, chants, andNative American art comprises a major
dances of the Pueblo people arecategory in the world art collection.
regularly part of Masses at Santa Fe'sNative American contributions include
Saint Francis Cathedral.[27] Nativepottery, paintings, jewelry, weavings,
American-Catholic syncretism is alsosculptures, basketry, and carvings.
found elsewhere in the United States.Artists have at times misrepresented
(e.g., the National Kateri Tekakwithathemselves as having native parentage,
Shrine in Fonda, New York and themost notably Johnny Cash, who traced his
National Shrine of the North Americanheritage to Scottish ancestors and
Martyrs in Auriesville, New York).admitted he fabricated a story that he
Native Americans are the only knownwas one-quarter Cherokee. The integrity
ethnic group in the United Statesof certain Native American artworks is
requiring a federal permit to practicenow protected by an act of Congress that
their religion. The eagle feather law,prohibits representation of art as
(Title 50 Part 22 of the Code of FederalNative American when it is not the
Regulations), stipulates that onlyproduct of an enrolled Native American
individuals of certifiable Nativeartist.



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