| The Beautiful blue and green hues of
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| | squash-blossom craze lasted until 1940,
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| turquoise have long been prized by the
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| | when they were discontinued by most
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| Native American peoples of the
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| | Indian artisans for requiring too much
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| southwestern part of the USA. Entire
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| | work and too much turquoise.
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| cultures were built on mining turquoise
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| | In the 1920's and 1930's, the concho belt
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| and crafting sacred and special items
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| | changed from a simple silver belt to a
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| from the attractive stone in areas which
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| | more ornate belt with one to multiple
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| are now part of both New Mexico and
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| | turquoise stones in all the individual
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| Nevada. American Indian peoples were
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| | sections of the belt. The tourist jewelry
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| making necklace strands and other
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| | of that era is highly collectable today.
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| turquoise jewelry by hand many centuries
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| | It began to be noticed that sales of
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| before the first European settlers
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| | Native American jewelry had significant
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| arrived. Because turquoise was so highly
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| | potential to provide a reliable income
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| prized, it was widely exchanged and
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| | source to tribal members across Arizona
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| circulated among the Native peoples of
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| | and New Mexico. During those years,
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| the Americas, and the each of the tribes
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| | schools and classes were established at
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| developed their own unique names for the
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| | several reservations to train young men
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| striking blue stone. Scientific testing
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| | in the trade of making Native American
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| has proven that some ancient beads found
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| | style Sterling and turquoise jewelry. In
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| in central and South America were
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| | the following decades, many very talented
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| originally dug from the Cerrillos
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| | artists came out of these schools. During
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| turquoise mines near Santa Fe, New
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| | the years following WWII, many Americans
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| Mexico.
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| | traveled across the country, and on their
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| When the Europeans brought the technology
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| | trips through the Arizona-New Mexico
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| of working metals like silver with them
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| | area, discovered that local traders had
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| to the new world, the American Indians
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| | rooms full of this Native American
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| who learned the silver smith trade
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| | jewelry, which the traders called pawn
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| learned eventually began to add turquoise
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| | pieces. Most of these were jewelry pieces
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| with the silver to develop their own
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| | the Indian people made for themselves and
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| special style of jewelry. A Zuni man by
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| | pawned for one of two reasons: either
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| the name of Kineshde is believed to be
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| | they needed money, or it was considered a
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| the first to add turquoise to the hand
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| | safe storage place. As a result of the
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| crafted silver items he was making in the
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| | popularity of these pawn pieces, a host
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| late 1800s.
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| | of trading posts sprang up in the
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| Turquoise first came into popular high
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| | Southwest and knowledge of this unique
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| fashion in the US during the early 1890s,
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| | style of jewelry became much more
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| but Persian turquoise was the focus of
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| | widespread. New jewelry was also created
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| the demand at that time, and only a few
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| | to meet the growing tourist demand. Those
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| deposits of high quality turquoise were
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| | who appreciated the beautiful American
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| known in the US. In the following years,
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| | turquoise began to recognize the general
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| a number of high quality deposits
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| | differences in matrix patterns and color,
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| previously worked by Native Americans
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| | etc. between the different mine sources.
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| were "rediscovered", and shortly after
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| | During this time, which extended to the
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| 1900 and Americans began to recognize
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| | early 1950's, turquoise began to be
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| that American turquoise from the Western
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| | named, for sales purposes, after the mine
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| US was the equal of any in the world.
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| | in which it was found, such as Lone
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| Interest again began to peak around
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| | Mountain, Royston, Blue Gem, and others.
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| 1908-1910, and a considerable amount of
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| | An increasing number of American Indians
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| American turquoise was mined, especially
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| | continued to handcraft silver jewelry in
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| in Nevada. The majority of the Turquoise
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| | the 1950s and early 1960's in the
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| jewelry produced prior to 1910 was made
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| | traditional way. Up to that time their
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| by well-known jewelry manufacturing
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| | work was generally popular only in the
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| companies like Tiffany's, and was
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| | southwest region of the US, but the
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| produced in the standard Victorian styles
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| | increasing amount of material available
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| of those times.
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| | began to enable a larger audience to see
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| None of this was what we would recognize
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| | and appreciate this beautiful style of
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| as Indian style turquoise jewelry. There
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| | jewelry art. Even so, it did not become
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| were a few Native Americans making
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| | widely popular across the entire US until
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| turquoise and silver pieces in what we
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| | the late 1960's and early 1970's. At that
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| now see as the traditional style, but
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| | time the simple and natural beauty of
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| they produced very few pieces and their
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| | turquoise jewelry became the rage of the
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| very simple tools increased the man hours
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| | American fashion scene. The prices of the
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| each piece needed for completion. That
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| | old pawn jewelry rocketed upward, and a
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| era was essentially the dawn of the
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| | craze for Indian turquoise jewelry
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| traditional styles for silver-turquoise
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| | swelled and boosted demand (and prices)
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| jewelry. America's fascination with
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| | for turquoise to previously undreamed
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| turquoise and genuine Indian Jewelry
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| | levels. The increased prices and demand
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| really began in earnest during the 1920's
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| | caused the re-opening of many mines and
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| when more people from outside the
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| | the import of Indian "style" jewelry made
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| southwest began to see the beauty of this
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| | by manufacturers in Mexico, Taiwan, and
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| artistic jewelry.
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| | the Philippines. In time, the market
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| At that time, the Harvey House restaurant
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| | became glutted, the consumer was confused
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| chain opened a number of facilities
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| | by overpriced synthetic, stabilized and
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| across the southwest during the great
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| | plastic imitation materials and by 1981
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| days of popular rail travel across the
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| | the supply was high but the demand was
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| US. At first, Indian Jewelry was only
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| | gone.
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| sold as curios in the restaurants for the
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| | The market collapsed and most of the
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| patrons touring the west. Earrings and
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| | American turquoise mines were shut down
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| thin, small bracelets stamped with arrows
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| | and have remained closed since that time.
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| and bows and containing symmetrically cut
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| | Turquoise demand hit a low water mark in
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| small oval pieces of turquoise were the
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| | the early 1980s, but has been slowly and
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| types most in demand. The pieces produced
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| | steadily increasing in popularity since
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| during this time are still termed as
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| | that time. Most American mines have
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| having been made in the "Fred Harvey"
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| | remained closed, and in recent years high
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| style. Heavy Indian Jewelry did not
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| | demand for natural American turquoise has
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| become popular until after 1925, when the
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| | caused once again significant increases
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| classic squash-blossom necklaces were
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| | in prices.
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| first brought to the tourist market. The
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|