| American schools have traditionally favored those | | | | of their essays, in addition to the verbal-linguistic |
| students who excel in the linguistic and analytical | | | | intelligence for reading and writing and the |
| arenas because these skills are highly valued in our | | | | intrapersonal intelligence for the introspective |
| culture. Unfortunately, this traditional approach | | | | thought process.3. Assign a mini-research project |
| leaves certain students behind to stumble blindly | | | | and allow students to present their research in a |
| through an educational system which ignores their | | | | way that suits their own intelligences. I assign a |
| unique abilities. This is not to say that the | | | | 1920s mini-research project as an introduction to |
| development of linguistic and analytical skills should | | | | The Great Gatsby by F. Scott Fitzgerald.I give |
| be abandoned in favor of nontraditional | | | | students the opportunity to work alone, in pairs, |
| approaches to education. Rather, traditional and | | | | or in groups of three or four. Each student is |
| nontraditional approaches should be combined to | | | | required to select his or her own topic to |
| formulate a method of education that is best | | | | research. If students choose to work with |
| suited to the students who populate our | | | | classmates, their individual research is to be |
| classrooms.The theory of multiple intelligences, | | | | integrated into one presentation. As preparation |
| developed by psychologist Howard Gardner, | | | | for their projects, students brainstorm methods |
| offers a balance which teaches students what | | | | for demonstrating knowledge. The form of the |
| they need to know in order to be successful in | | | | final product is left to the students' discretion. As |
| our society in a way that compliments the unique | | | | a result, students can use the combinations of |
| abilities that each individual possesses.Having said | | | | intelligences with which they are most |
| this, how does one go about effectively | | | | comfortable.4. Assign small groups of students to |
| implementing the multiple intelligences into the | | | | "act out" a portion of a work of literature. I have |
| classroom? Unfortunately, much has been done in | | | | used this approach with novels and |
| the name of multiple intelligences without actually | | | | Shakespearean drama.When using this approach |
| stimulating any portion of a child's brain. For | | | | with a novel, I assign groups of three or four |
| example, simply running around a classroom | | | | students to a chapter. They are asked to select a |
| haphazardly cannot be said to call upon the | | | | passage or a series of passages that they like |
| bodily-kinesthetic intelligence unless another | | | | and which are important to the development of |
| component of the activity triggers thought on the | | | | the chapter and the novel. They are also required |
| part of the student. On the other hand, the | | | | to plan and present a rationale in which they |
| student who creates a dance based upon a work | | | | explain the reason they select their passage(s) |
| of literature and communicates the essence of | | | | and the importance of the passage to the novel. |
| that work to an audience is clearly demonstrating | | | | They are asked to consider foreshadowing, |
| the bodily-kinesthetic intelligence.The following | | | | symbolism, and characterization when planning |
| lesson ideas target a range of intelligences...1. Use | | | | their rationales. (The literary devices assigned |
| a scenario that relates to your content | | | | depend upon the novel.)To complete this |
| (something controversial works best) and ask | | | | assignment, students use their intrapersonal, |
| students to discuss it. I have used a scenario | | | | verbal-linguistic, and logical-mathematical |
| called "The Soldier's Dilemma" to introduce themes | | | | intelligences in scene selection, their interpersonal |
| found in Shakespeare's Julius Caesar and in | | | | and logical-mathematical intelligences in planning and |
| literature from the Realism movement.First, I read | | | | organizing their scene, their interpersonal, |
| the scenarios out loud to the students, then I ask | | | | verbal-linguistic, and bodily-kinesthetic intelligences |
| them to work in groups to answer questions | | | | to act out the scene, and they use their |
| about the scenario. Each group is asked to come | | | | logical-mathematical and verbal-linguistic intelligences |
| to a consensus about their opinions. Once they | | | | to organize and present their rationales at the end |
| have sufficient time to debate the issue, I ask | | | | of the scene.When using this approach with |
| them to return to their seats for a whole class | | | | Shakespearean drama, I manage to incorporate all |
| discussion.During the process of thinking about and | | | | of the intelligences into one assignment. It is an |
| discussing the scenario, students must use their | | | | elaborate assignment that cannot be fully |
| interpersonal skills to defend their positions, first | | | | explained in the given space, but students are |
| with their group members, then with the entire | | | | asked to adapt the play to a modern situation. |
| class. Students also need to use their intrapersonal | | | | Then they have to write a script, create sets, |
| intelligences because the emotional level of this | | | | props, and costumes, plan music/sound effects, |
| discussion requires a sense of self-awareness and | | | | etc. Finally, they perform their rendition for the |
| self-understanding. Students also need to use their | | | | class.Handouts are available for most of these |
| logical-mathematical and verbal-linguistic intelligences | | | | assignments. Visit The Writing Tutor to obtain |
| for analysis and their verbal-linguistic intelligence for | | | | handouts or to obtain more information about any |
| communication.2. Use an opinionnaire as a | | | | of these assignments.References:Johannessen, L. |
| thought-provoking activity. I've used opinionnaires | | | | R. (1994). The call of adventure: Jack London's |
| as introductory activities and I have also used | | | | "To Build a Fire." Notes Plus, 12 (1), |
| them as the basis for essay assignments.I use a | | | | 11-15.Johannessen, L. R. (1997, January 20). |
| wilderness survival opinionnaire when I teach "To | | | | Teaching the Vietnam War. Presented at a |
| Build a Fire" by Jack London. Students complete | | | | teacher's institute meeting at Township High |
| the opinionnaire before reading the short story, | | | | School, LaGrange, IL.Michele R. Acosta is a |
| then again after reading and discussing it. The | | | | freelance writer, a former English teacher, and the |
| second opinionnaire is followed up with an essay | | | | mother of three boys. Acosta has recently |
| assignment that asks students to identify three | | | | completed her first self-help writing book called |
| statements from the opinionnaire for which their | | | | Improving Sentence Structure. The ebook format |
| answers changed as a result of reading and | | | | is available from A to Z Publishing. Acosta's |
| discussing the story.This assignment requires | | | | newest web site, Writer's Help Desk, offers |
| students to consider the reasons for their | | | | freelance provider listings and freelance job listings |
| answers on the first opinionnaire and then to | | | | as well as other resources for freelance writers. |
| consider what about the story and the class | | | | Visit The Writing Tutor for the ecourse version of |
| discussions made them change their opinions when | | | | Improving Sentence Structure and for more |
| completing the second opinionnaire. Students are | | | | articles, professional writing and editing services, |
| also required to use textual evidence in support of | | | | and other writing and educational resources. |
| their reasoning. As a result, students use their | | | | Copyright (c) 2004-2006 The Writing Tutor & |
| logical-mathematical and verbal-linguistic intelligences | | | | Michele R. Acosta. All rights reserved. |
| for analysis of the literature and for organization | | | | |